Welcome to the Indie Pong premiere of a new double-single from hyperpop newcomer Luke Markinson!
‘Hardcore Miserable’ and ‘Out the Bed’ are about battling insecurity in a relationship and coming to terms with a breakup (despite loving someone very much). Over swelling synths and wild, dive-bombing bass blasts, a la Charli XCX‘s ‘anthems,’ Markinson charts the pain of ending a relationship utilizing glitchy, warped-out production.
The 19-year-old WashU sophomore recently talked to IndiePong about making music out of his literal dorm room closet– check that out here.
The double-single comes on the heels of three singles in 2020, including his first, ‘Never Alone.’ Quick to rise in the ranks of a lively hyperpop scene in music right now, the genre juggernaut Charli XCX added ‘Never Alone’ to her official Beats by Dr. Dre playlist on Apple Music. It’s Markinson’s second era, of sorts, after he began by building a follower base on Vine by posting covers and original music (okay Shawn Mendes!).
Aside from Charli baby, Markinson finds his biggest inspiration from the musings of Troye Sivan, The 1975 and underground gay club music.
Follow Luke on Instagram, Twitter and TikTok, and stay tuned to Indie Pong for exclusive new music premieres to come!
Hello everybody! Happy New Year! So I am going to do something different this month. I usually write an article about my favorite music of the month, but since the shit show we call 2020 just ended I rather rank 50 of my favorite albums from 2020. Starting today on my YouTube channel I will be starting list week. I will be talking about my favorite and least favorite music from 2020. My top 50 albums video is the last video I will be uploading, but I think it would be a good idea to release my list early here on Indie Pong.
Although I think I have a pretty good list I do have a couple disclaimers. First of all, I kind of cheated. This list is called my top 50 albums of the year, but I do have a few EP’s in the list. Also, I know this is an indie music blog, but I do have some mainstream albums in the list. There has been several mainstream albums I enjoyed this year, so I would feel weird not to include them in my list. With that said, I don’t think my list is that bad. I am honestly proud of it. 2020 might be a shitty year, but at least there has been a lot of great albums released in 2020.
Without further ado here is my top 50 albums of the year for 2020!
50) Kota the Friend – EVERYTHING
49) Lady Gaga – Chromatica
48) Joji – Nectar
47) Bad Bunny – YHLQMDLG
46) Rico Nasty – Nightmare Vacation
45) Jme – Grime MC
44) SAULT – Untitled (Black Is)
43) Aminé – Limbo
42) Logic – No Pressure
41) Thundercat – It Is What It Is
40) Nas – King’s Disease
39) 070 Shake – Modus Vivendi
38) 21 Savage & Metro Boomin – Savage Mode II
37) Yves Tumor – Heaven To A Tortured Mind
36) Childish Gambino – 3.15.20
35) Action Bronson – Only For Dolphins
34) Deante’ Hitchcock – BETTER
33) Tame Impala – The Slow Rush
32) Jean Dawson – Pixel Bath
31) Dua Lipa – Future Nostalgia
30) Blu & Exile – Miles
29) Fionna Apple – Fetch The Bolt Cutters
28) R.A.P. Ferreira – Purple Moonlight Pages
27) Qualle Chris & Chris Keys – Innocent Country 2
26) Kid Cudi – Man On The Moon III: The Chosen
25) Benny The Butcher – Burden of Proof
24) Oliver Tree – Ugly is Beautiful
23) Kali Uchis – Sin Miedo (del Amor y Otros Demonios) ∞
22) Black Thought – Streams of Thought, Voll:3 Cane & Able
21) JPEGMAFIA – EP!
20) The Koreatown Oddity – Little Dominiques Nosebleed
First, everyone called PC Music, a collective of producers and artists headed by names like Charli XCX, A.G. Cook and SOPHIE, the future. Oft-likened to banging pots and pans together (usually SOPHIE gets that designation), PC Music, or hyperpop, or glitchpop (I can’t really keep track) has since been labeled as more an ‘expression of the present’ than a sign of the future.
In PAPER, Shaad D’Souza reviewed Charli’s quarantine album how i’m feeling now and said that PC Music and its contemporaries are more reflective of our ‘present dystopia’ than anything else. In The Atlantic, Spencer Kornhaber kind of snubs Charli’s magnum opus album (in my opinion) Charli, saying that Charli herself is just ‘playing with’ the future and that the album doesn’t have a ‘triumph’ track. Has he listened to ‘Gone’ more than once? Pfft.
In any case, PC Music is indubitably a key influence in the indie-pop space. I recently Facetimed with one of the newest offsprings from the PC generation (note: not PC as in politically correct, lol), college sophomore Luke Markinson, to talk about his PC and PC-adjacent inspirations and making and releasing DIY music in this hellscape year.
“I started making music on Vine,” he tells me, before I make an unfunny joke that he’s like an alt Shawn Mendes.
“Once Vine shut down, I wasn’t really able to translate my music and following somewhere else. But when the pandemic got bad, and everything started to close, I was bored and began writing music and working with producer friends and making things happen.”
Markinson, a Los Angeles native who just began his sophomore year at WashU in St. Louis, cites the typical crew as his influences; Charli and the PC Music collective, Troye Sivan, Tove Lo and The 1975, to name a few.
He also mentions artists like Flume, the megastar producer who first went viral by cutting together scintillating remixes of Disclosure‘s ‘You & Me’ and Lorde‘s ‘Tennis Court,’ as an inspiration. Louis the Child and Whethan are two other examples, also Midwest talents, of springboarding from remixes and re-works to putting out full original albums and developing their own sounds.
I ask Markinson where he records his stuff; being stuffed in a dorm in a pandemic can’t lend itself to the most comfortable music-making experience.
“Literally from my closet,” he says, laughing about the double entendre as his first song, ‘Never Alone,’ is about the relationship he had with his now-ex boyfriend.
“We were recording at my friend’s house inside before I came back to school, but then because of COVID-19 his parents were actually like, ‘Mmm we’re not comfortable with you being all inside right now,’ so we actually recorded some of the song out on his porch.”
‘Never Alone’ is a bouncy love bop, reminiscent of the cutecore (cutecore = word I just established which is like the Y2K aesthetic but re-fitted for 2020; it’s digitized and photobooth-y and emotionally motivated) that Charli’s quarantine album how i’m feeling now embodies, especially tracks like ‘detonate’ and ‘party 4 u.’
Fittingly, Charli herself found the song, and put it on an Apple Music playlist she curates. Queen of paying it forward!
Markinson says he commented on a post of hers where she was asking for people to share their music. He also replied to a similar tweet of hers, linking the song. Days later, he found out she must’ve seen his comment or tweet and liked the song enough to give it some playlist love.
In any case, Markinson followed up ‘Never Alone’ with a more cosmic, whimsical track called ‘Gimme Ur Love,’ and then a glitchy number with his latest, ‘Blastoff.’ I guess Gen Z loves PC!
When he’s not closet-recording, Markinson is studying for a psychology degree at WashU. You can see him perform soon; he tells me he’s playing at Uncultured Festival, which is running its next show November 20-22 on Minecraft and will benefit the Trevor Project.
