Indie Pop – Indie Pong

Is This EP of The Year?: Last Year Was Weird, Vol. 3 by Tkay Maidza EP Review

Australian rapper and singer, Tkay Maidza, just released the final installment for her amazing Last Year Was Weird EP trilogy. As this is the final EP for the series, Tkay made sure to end off the trilogy with her best work yet. With the help from producer Dan Farber, Tkay Maidza takes us on a fun and pretty journey through the flower territory.

The first track off the EP, “Eden”, does a great job at not only setting the stage for the listener, but also transporting them into Tkay Maidza’s world. The flower territory if you will. The song title and lyrics refer to the Garden of Eden from the Bible. The Garden of Eden is a beautiful flower-filled paradise. In the lyrics, Tkay raps about how she is in a blessed position. She has garnered a lot of success and she doesn’t see herself stopping anytime soon. I love how the instrumental gives off a heavenly feel to the song. The song starts off with some lushes strings. It is very dreamy and atmospheric. I love how the instrumental slowly start building up during her verse then explodes with some cool trap production once she sings the chorus. The following track, “Onto Me”, has this amazing earworm chorus. It is sticky like honey. In this track, Tkay Maidza and UMI raps about two different scenarios. Tkay is in a rocky relationship with a guy. Although things aren’t perfect, she is willing to try and work it out with him. UMI does the opposite. Instead of giving the guy who wants her back another chance, she tells him to move on. I think having these two different perspectives on one track was a very creative idea. The beat is amazing. The plucky guitar and scattered minimal production are fantastic.

“So Cold” is a summery dance track. The production here is so groovy. You know this is a great dance track when it is able to make my fat ass move. It is almost impossible not to dance to this song. On this track, she raps about how the guy she was with ended up being soulless. After she learns this, Tkay drops him quickly. I love the different flow switch up during her verse. Once again the chorus is very catchy. Stylistically, “Syrup” is a total 180. The second single to this EP consists of minimal yet hard-hitting production. I love how drowning and overwhelming the production is. Tkay is absolutely rapping her ass off all over his beat. Her lyrics are braggadocious. The chorus is pretty clever. She even dropped the quotable of the year with this line, “I go hard, I’m a boner”. Spoken like a true poet.

The next track, “Kim”, is not only another single, but it is another massive banger. Hard Tkay is thriving on this one. Her performance is absolutely wild. Especially with this hard-hitting, kind of industrial beat. The chaotic “bitch, I’m Kim” shouting is insane. Tkay’s verse is fire. I just love how confident she is. The same can be said about Yung Baby Tate’s performance. Her verse was very charismatic. I’m loving the Kim Possible references throughout the entire track. This track is absolutely amazing. “High Beams” is a nice transition point from hard to soft Tkay. This track is a lot calmer. It started with some angelic vocals. With that said, Tkay’s rapping is still vicious. There’s a lot going on within the production. There are these haunting vocals prevalent throughout the track. This is an amazing track that helps transition into the next track.

“Cashmere” is the third, and my favorite, single released before the EP. I love how dreamy and pretty the production is. Tkay’s vocals are delicate. She comes across as very vulnerable. She is talking about how she has been hurt so many times throughout this relationship that she is in. She knows that she can’t handle being treated poorly any longer, so she ends up leaving him. The outro to this song is one of my favorite moments on the EP. She really sounds relieved during this portion of the song. “Breathe” is a grand and emotional way to end off the EP. First of all, I love the call back from ”Eden”. During the intro, we hear vocal snippets of Tkay saying “Breathe”. This is the exact same way the final track starts off. Also similar to “Eden”, “Breathe” has a gorgeous and grand instrumental. The beat drop on this track really hits hard. It gives such an emotional impact that matches perfectly with Tkay’s lyrics. Tkay talks about how no one really believed in her. Although she did become successful, she did make regretful decisions on the way. In the end, Tkay is reminiscing about the good times and she doesn’t want to leave. She just wants to stay.

You can tell from the beginning this EP trilogy means a lot to Tkay. You can tell this is the case when you listen to the grand intro, the impressive performances, and the emotional last bow on the final track. Tkay Maidza and Dan Farber put a lot of love and energy into this project. Seeing how passionate they were on this EP, I can’t wait to see what they would do on a full-fledged album together. The sky’s the limit for these two.

NEW EP: On ‘Welcome to the Witching Hour,’ MyKey Makes Space for Late-Night Thinkers

There’s something old-school about MyKey.

Maybe it’s the fact he doesn’t really know how TikTok works, despite being on the Gen Z cusp age of 24 (and almost 25). Or maybe it’s because when he hops on our video call, he informs me that he’s on his grocery store weekly tour, checking out what four different supermarkets in L.A. have to offer.

“I’m literally an old man in that way,” he says, chuckling.

Today, MyKey released his debut EP Welcome to the Witching Hour, coming on the heels of a sprawling, 16-track album back in 2017 when he was in his early days of releasing music. He started taking guitar lessons at age seven, then stuck with guitar, going to a bluegrass event at age 10 and joining local Maryland bluegrass band Flower Hill String Band after connecting with them at that show.

MyKey makes music that draws from folk, while he’s part of a broader bedroom pop generation that has been sweeping the industry. On Welcome to the Witching Hour, he unexpectedly draws parallels to the genesis of his artistry– his first-ever song was called ‘Vin Diesel Runs on Gasoline,’ and it wasn’t until after he put together his EP that he released the sixth track is called ‘Vin Diesel,’ an unintentional callback to his early songwriting.

Welcome to the Witching Hour strays from his first album, Faces, in several ways. For one, the new project was written entirely in an Airbnb getaway, as MyKey and his friends/collaborators melted their minds together in one big effort rather than piecing together the album.

“I really went at it completely alone for the first album. This time around, my friends and I truly collaborated on this little getaway, which was something I’d never done prior. It was a really fun way of doing it.”

MyKey still stands by the new EP being ‘just as chaotic as the first album,’ in that he continues explores a bevy of genres. On Faces, for example, he involved folk, pop, black metal, jazz and rock. This time, though, it’s more of a communal project.

“I really wanted to let me friends’ work shine, whether it be on the production, or some of the songwriting. As a whole, though, Welcome to the Witching Hour contains way more of my own stories than Faces did. I always used to hate writing about my own experiences, and would make songs out of my friends’ stories, so this is much more of a personal record.”

“It feels really weird, though,” he continues, “To put my own opinion on my emotions. And then release it out into the world. Like, people are hearing my takes on my own emotions and shit. That’s a new level of vulnerability for me.”

Songs like ‘Emily’ and ‘Marshmallow Moons’ are perfect for when you want to fashion yourself a teen movie star, looking out of a train window at a gray sky and thinking about that someone who makes your palms sweaty. Listening to ‘Mazda5’ will convince you that you, too, had a Mazda in high school, reliably getting you to school, to see a friend, to blast your favorite album in or to cry in. And for all of his old-man-cosplay, ‘Sweet Tooth’ could easily be a TikTok viral hit– it’s of the same ilk as the sleepy, viral smash ‘death bed (coffee for your head)’ by powfu and Beabadoobee.

Like the EP’s namesake, I can’t think of a better time to listen to this than in the middle of the night, when the threads of reality unspool a bit and you can go on an introspective journey without the noise of reality dragging you down.

MyKey’s friends and sometimes-collaborators are all up-and-comers in the space, including names like REI AMI, Adam Melchor, spill tab, Marinelli and bennytheghost, to name a few.

When I ask about a dream collaborator, his old-school brain takes over control, replying with certainty.

“Bruce Springsteen. I’ve always wanted to make music with him. My mid-life crisis moment would ideally be a collab with him.”

You can find MyKey on Instagram (though he ‘barely understands it.’)

NEW EP: On ‘Cruise Control,’ Ben Kessler Explores Introspective Pop with Energetic Production

Philly native and Nashville lingerer Ben Kessler is making indie pop music that melds two inherent truths of today: as humans, we are looking inwards more than ever before, while in music, our sonic landscape continues to push boundaries with digitized, vibe-y production. Fold one into the other, or vice versa, and that’s the avenue you’ll find Kessler wandering down.

LISTEN TO ‘CRUISE CONTROL’ ON SOUNDCLOUD OR ON YOUR FAVORITE STREAMING PLATFORM

On his debut EP Cruise Control, which the pandemic has forced him to create from his parents’ basement on the heels of graduating from Vanderbilt University, he finds himself growing into this intersection of songwriting and production.

The EP consists of five songs, two of which have already been released as singles.

“I knew I wanted to do the EP at the end of 2019,” says Kessler, “and have it come out in the year after finishing up at Vanderbilt.”

“I was waiting to graduate, and the plan was initially to do that, then stay in Nashville and make the EP. But, obviously, the floor disappeared from under me; all my friends were moving, my lease was up, and it felt like my world was shutting down. Music was changing, too, and it suddenly wasn’t clear what releasing would be like.”

Needless to say, Kessler explains that the EP was born out of a place of uncertainty and anxiety.

“I love writing about inward-looking things, and I want to make music that is self-aware and reflective. ‘Cruise Control’ [the title track] was the first song I wrote for the EP, and it was one that I had written early on, had kind of forgotten about, and then rediscovered it. I thought, ‘Oh, this says everything I want to say with this EP, and it’s all in this one song. That’s perfect.'”

The song ‘Cruise Control,’ is definitely a bop, starting off with an immediate flurry of stressed-out, emotive lyrical contradictions.

One foot on the gas, one foot on the brake
All the things that I love, all the things that I hate
I breathe deep or I suffocate
I feel numb or I feel everything

His voice wafts atop woozy keys to start, but the production builds into so much more, eventually layering his singing with warped, pitched-up vocals that give way to a very electronic bridge. The track ends with the warped, pitched-up vocals once more, this time isolated, and leaves you craving more. (Every PR release says that a track will leave you ‘craving more’ but I am being 100% serious when I say that.)

Kessler was inspired by acts like Coldplay and John Mayer when he was young, then as he got into high school and older, his taste expanded, and he began closely following the careers of indie juggernauts like Bon Iver and Fleet Foxes. When he was barely a teenager, he was going to live music shows in Philly, and he burned his first EP on a bunch of physical CDs to pass out at a radio show.

“I would go to these free Friday concerts hosted by Philly radio station WXPN, and radio DJ Helen Leicht took my CD and put it on nationally syndicated radio. She’s been so supportive always, and that radio placement helped book shows in Philly and New York. I’d also see these really great acts at these shows, people like Ingrid Michaelson, Ray LaMontagne, even Kevin Bacon.”

Like many new artists trying to make it in the music industry, Kessler has had that initial struggle: how can he juggle making music for him and making what the industry wants? What does the industry even want?

“Suddenly, whatever type of pop song that is doing well commercially becomes your (and the industry’s) main definition of what makes a good song. So when people hear I’m a singer-songwriter, they either want me to go co-write in that direction or do a very stripped-down, acoustic-only sound when I’m making my own stuff. That doesn’t feel like me.”

When I mention ELIO, an up-and-coming indie pop talent who is being creatively managed by none other than Charli XCX, Kessler lights up. ELIO, though a burgeoning artist herself, has already pinpointed lively pop music with killer songwriting and sharp, futuristic production; she and Kessler both draw inspiration from The 1975, funnily enough.

“Production is so important; it can really transform an artist. I think you can take a lot of demos and put the hyperpop production spin on it, and that’s what a lot of people wanted me to do. But I wasn’t enjoying those sessions. I was like, ‘well this song could be a hyperpop song, but can’t we let it exist in another sound or genre?’ And I think this EP shows that sound I’m trying to accomplish, where I can be inward-looking with my lyrics while experimenting with the production and keeping the energy there.”

Lately, Kessler has been listening to artists like SG Lewis, Verzache, Jim-E Stack and Jimi Somewhere. When I ask about who his dream collaborator would be, I get two answers.

“High school me would say John Mayer. Current me would say James Blake.”

https://soundcloud.com/benkesslermusic/sets/ep-order

Memo’s Monthly Favorites: February 2021

Hello everybody! Happy March! Even though February is the shortest month of the year, this past month was packed with a lot of great music. Especially in the singles department. I added more singles than usual in the honorable mentions, but I did leave two tracks. I did this because Daw has already written two great articles about them. I really recommend reading Daw’s articles on “Gang Signs” by Freddie Gibbs featuring ScHoolboy Q and “So.Incredible.pkg [Robert Glasper Version]” by Denzel Curry, Kenny Beats, Smino, and Robert Glasper. Those two tracks are amazing. Give it a listen. With that being said let’s dive into my monthly favorites.

Song Honorable Mentions:

Cakes Da Killer & Proper Villain – What’s The Word: Let’s start off with some straight-up fire. This hip-house track is very energetic. Cakes Da Killer is coming at you with these speedy flows. I really like how expressive he is when he delivers each bar. Proper Villain kills it on production. It has everything you want from a good hip-house beat. What’s not to love?

Big Freedia – Platinum: This song is by far one of the most fun and entertaining songs I have listened to this month. If it weren’t for the pandemic, I can totally see this song pumping people up at a club. I love how powerful and bold Big Freedia’s voice is. It pairs well with this fast-paced southern hip hop beat. I guarantee this song will have you on your feet, so if you want to have a mini dance party give this song a listen.

Genesis Owusu – Gold Chains: Genesis Owusu is probably my favorite discovery so far this year. This song was so close to becoming my favorite song of the month. This is mostly because of his singing. The chill lowkey production is great, but his voice is incredible. He doesn’t have a crazy singing performance, but everything he says sounds smooth as fuck. Especially when he is melodically rapping. This track is a must-listen.

Tkay Maidza – Kim (with Yung Baby Tate): After releasing my favorite EP of 2020, I became a giant fan of Tkay. So you better believe I am hyped for her upcoming EP. Especially after listening to “Kim”. That shit is crazy. This track is an aggressive, unapologetic, attitude-filled ride. Both Tkay Maidza and Yung Baby Tate sound so badass. They have amazing chemistry. I really love how this song references famous Kim’s including Kim Possible. I genuinely don’t know how someone can hate this song.

Noname – Rainforest: Noname is back with another impressive single. She just continues to amaze me. Her poetic lyricism is packed with a lot, and I mean a lot, of deep content. In the hoof alone she talks about depression, exploitive billionaires, and deforestation. “Because, because a rainforest cries, Everybody dies a little”, is one of my favorite lines I have heard all year. I can’t emphasize enough how well written this song is. Plus the jazzy calm instrumental makes for a perfect backdrop for this song. For crying out loud, NONAME DROP AN ALBUM! I NEED IT!

JID – Skegee: JID really did something special with this track. Like other JID tracks, he goes in a conscious direction. As always his lyrics are well written. What makes this song special in my opinion is what JID actually raps about. He shines a light on the Tuskegee experiments. Before this track, I didn’t know those disgusting and dehumanizing experiments actually happened. I appreciate JID for spreading more awareness to historical moments like these because I for sure did not learn about this in my public high school.

EP Honorable Mentions:

MAVI – END OF THE EARTH: Although I am not absolutely in love with this EP, I do see its appeal. Mavi shows flashes of potential throughout this entire EP. On the first track, he is rapping with so much emotion. He truly sounds like he in a lot of pain. I love how Mavi raps when the trap drums come through on “METHODS”. His depressing lyricism is on point. I just hope he continues to improve and finds his own sound.

Luna Li – jams EP: There’s no clickbait here. This EP is filled with jams. In this 10 minute and 10 track EP, Luna Li soothes the listener with her talent. It’s crazy how Luna produced every single one of these lushes beats on her own. Every instrument played was done by her. The guitar, bass, violin, keys, and even the fucking harp were all her. What instrument can’t she play? If you want to relax I highly suggest putting this EP on.

Album Honorable Mention:

Luke Banter – Pucker Up: In this album, Luke provides several love-sick, yet upbeat pop tracks that are perfect for this past Valentine’s day. Luke does an impressive job at making catchy hooks. With tracks like “Nelly Bly”, “Pucker Up”, “Allergic”, and “Witchcraft” I can see the potential in what Luke is doing. This album is far from perfect. There are definitely several flaws and duds in the tracklist. With that said I am genuinely excited to see what Luke does moving forward.

Conway The Machine & Big Ghost Ltd – If It Bleeds It Can Be Killed: Man, Conway continues to amaze me. Conway has single-handedly turned me into a bigger Griselda fan. Don’t get me wrong Benny and Westside Gunn are cool, but Conway is on another level. Just like From King to a God, If It Bleeds It Can Be Killed differentiate himself from his contemporaries with his pen game. I absolutely love how badass Conway can be, but he can also be very vulnerable. Big Ghost Ltd kills it with the gritty production. Although this is not my favorite Conway album, I think this album is awesome. Don’t sleep on this album!

slowthai – TYRON: It was a tough choice putting TYRON on the honorable mentions list. Although this isn’t my favorite album of the month, so far this is definitely my favorite hip hop album of the year. Slowthai really impressed me with this album. The reason why I am a fan of slowthai is because of his aggressive bangers. In the first disc, we get those bangers, but the second disc is depressing and moody. Again I love those bangers, but slowthai really shined like he never has before on the second disc. Slowthai proves once again why he is one of the best rappers in the UK.

Favorite Song of The Month:

Kero Kero Bonito – The Princess and the Clock: As mentioned earlier, there were a lot of great singles released this month. It was honestly very hard to choose my favorite song of the month. I ended up picking this song because of how extravagant it is. This song sounds like an evolution of a track from Bonito Generation. It’s cute and upbeat, but they experiment a bit more on the production. This track has several different phases. It can be explosive and crazy, but then turn soothing in a blink of an eye. I am so hyped for the upcoming EP!

Favorite EP of the Month:

JPEGMAFIA – EP2!: In a short time span, JPEGMAFIA drops another installment of his EP series. Last year, he dropped an EP filled with entertaining experimental mostly rap songs. In this EP he is going into it with a different approach. This EP is darker. It is moodier. Peggy is a lot angrier than he was in EP!. Peggy has been angry in past projects, but he is usually rapping and shouting. In EP2!, he goes into a melodic approach. I wouldn’t even consider this rap. This is an angry experimental R&B project. Even though he is singing, his lyrics is still unapologetically cutthroat. I am not disappointed.

Favorite Album of the Month:

Black Country, New Road – For the first time: I did not expect to like this album as much as I did. I consider myself a hip-hop fan. Although I do give other genres a chance, hip hop is my bread and butter. This experimental rock album is not something I usually would gravitate to, but I am in love with it. The biggest reason why is because of the production. This album has some of the best production I have listened to in a while. I also really love the dramatic singing performances throughout the album. This album has a lot of great qualities that help keep the listener’s attention. This is good because this album has a risky tracklist. It is only 6 songs with each song spanning from 5 to 10 minutes long. Black Country, New Road does an excellent job at keeping the listener engage even with a funky tracklist. If this album is just the beginning, then I can’t wait to see what they do next!

These are my monthly favorites! Let me know what you have been listening to!

Female Rising Stars

January 06 2021

New Year… New Project… The first post in this 2021 Hopping that you are okay and thinking about the fact that I’m a sucker for female voices I start curating this Playlist with some great artists that might be out of your sight or maybe not but anyway you should enjoy this as much as I do .

Let’s take a look at some of the newest additions or some of the tracks that I find really interesting (as usual in my case some of these chicks are really unknown yet and brand new music)

1.- Ellaly Ice Cream

2.- S.F.H. G

3.- Moza Kaliza Born Like This

4.- Llynks Alive

5.- Loose T. Brexit

6.- Emma Garriot Everything and Nothing

7.- Alex Amor Motion

8.- Mivedrix Scarlet Tears

9.- Marty Crown Queen of Sadness

10.- Scarlet Rose Dance With The Fairies

This is the Spotify Playlist that is updated constantly

Remember that you can always find me at Linktree Jpgchief for all my social media and collaborations.

Enjoy it and stay tuned and safe!!!

New Music Friday EP’s

Once again New Music Friday brings some cool EP’s worth to listen

Don’t forget to visit Fresh Singles https://indiepong.com/2020/04/01/fresh-singles-april/ already updated with more than 70 tracks released only this past 3 days and growing. Also checkout the new lineup for 12 New Songs This Week https://indiepong.com/2020/03/31/1456/ now we’re ready let’s go to this new EP’s released during the week:

1 Le Groupe Obscure Pondence France alternative / dream pop 5 tracks that you should enjoy if you like this genre.

2 Thys + Amon Tobin Ghostcards USA electronic / ambient / downtempo It dosen’t sound like Tobin but sounds good as always with his work, kind nostalgic feeling in this tracks

3 Inner Wave wyd USA indie 6 tracks indie / rock / psychedelic my favorite track in this EP is for Estrella but listen and pick you own.

4 Kakkmaddafakka Ontas? Bergen Norway indie rock / indie pop 5 catchy tracks that fans of this band should enjoy and if you’re not lets go and give them a try.

5 Strange Neighbors Illuminasti New York alternative / indie rock / female fronted great 5 tracks that you’re going to enjoy for sure, with a retro vibe from the 80’s that if you were there or enjoy that decade is goingto be a fun album to listen to and but if not anyway you’re going to appreciate it.

6 Spector Extended Play London This is the last of three EP’s that form the upcoming album Non Fiction duo out April 29, the newest track is When Did We Get So Normal? But I love them all.

7 Emmett Kai Stick to My Guns New York Indie pop / synth Four nice tracks in this work that eventually are going to be an album maybe or maybe not but one thing is for sure…we wanna get more!!!

8 Ben Wright Smith Volcano God Head Explodes Melbourn Australia dream pop / folk / psychedelic rock another great unknown artist that needs your support, so show him some love.

9 Zuzu How It Feels UK Power Pop / Brit pop / Indie Rock Cool With Me is the only new track in this EP the rest already well known tracks that are easy to enjoy.

10 Princess Goes To The Butterfly Museum self title EP New York Rocktronic just last week they were releasing Love American Style and yesterday they drop this EP with three new tracks 6 in total.

11 FINKEL Backpack of Snacks Los Angeles USA Alternative / Electronic Pop I’ve been following this couple for a while (since thier very beginning May 11 2018 when they released their debut single w / o) and I think this is their best sound yet, congratulations guys!!!

Remember that you can find tracks from this EP’s an more in Playlist

Less Than 1,000 Followers

Alterindie State Of Mind

Enjoy it and have fun this weekend remember to keep yourself save and sound!!!

12 New Songs This Week 14

March 31 2020

Remember that if you can’t catch up with the new music released daily that
honestly can be overwhelming, this Playlist might work for you just fine!!!

This is a short (very short version of Playlist Fresh Singles right now after a whole month 31 days more than 450 tracks) also if possible I try to keep a chill vibe here, more folk oriented or soft indie pop (insists: if it’s possible).

New Music Alert for today Thursday March 31 7 tracks released today and 5 more from yesterday, did you already listen to it? No? Let’s go….

Damien Jurado drop a new track (after BirdsTricked into the Trees released March 02 part of Mixtape 10) for his upcoming album What’s New Tomboy? out May 1, the track Alice Hyatt is pretty good as always with this artista.

Yesterday Albion an indie duo based in Manchester reléase their third track titled Moonlit Night and I’m sure you’re going to love this track obviosly you can find them also in Playlist #LessThan1000Followers with only 23 right now

Today my Friends from Movie Club released their EP Man O’War they’re an instrumental duo that rock so good that you’re going to listen again and agian this 4 tracks until you get satisfied and please show the some love they’re part of the #LessThan1000Followers also. Hopefully with our help they can go out of there very soon.

Also another band under the 1000 followers mark is Mealtime from Manchester (one more…yes!!!) the track Rain Like This an wicked good track no doubt I hope you enjoy it and support them.

Born Rufians delivers their last single Breathe for the highly expected upcoming album JUICE out this Friday, the track is awesome.

Also M. Ward release his last single today Heaven’s Nail and Hammer before his new album Migration Stories drops this Friday, this track has a really retro sound from the 60’s that i find fantastic.

Today Jess Williamson delivers Infinite Scroll a sweet, tender and lovely track with the offcial video released yesterday. Part of the upcoming album Sorceress out May 15.

And in a very different mood Empress Off and her new single Love Is A Drog part of the upcoming album I’m your Empress Of that also drops this Friday.

Here the whole Playlist that remember change every week from Monday to Tuesday

Also I’m going to leave here the last MixTapes 11, 12 and 13 in case you wanna go back and check them out.