Rock – Indie Pong

Memo’s Monthly Favorites: June 2021

Hello everybody! Happy 4th of July! We are finally halfway down with the year. Although this hasn’t been a crazy year for music so far, I have a feeling things are going to start picking up. Just this past month there have been a lot of great singles. I’m going to cap it at 6 tracks in this article because I can easily write a ten-page essay on just the singles alone. There were a lot of big-name artists dropping projects this past month. There were a lot of great projects in general released this month. Let’s just hope this summer goes even crazier. I have a few recommendations for you all today. Let’s jump into it.

Song Honorable Mentions:

Nxtime & Dev Lemons – keep in touch: Nxtime X Dev Lemons is a heavenly collaboration we all needed. This bedroom pop track has pretty, dreamy, and quirky production. Although this track is about how difficult dating is, the production gives off some great summery vibes. I like Ray Rubio’s singing, but it is tough to compete with Dev’s performance. She is quickly becoming one of my favorite up-and-coming artists.

Declaim, MED, and Madlib – All Over The World: This track has Madlib production…do I need to go on? Like most Madlib beats, this track has a chill and lofi feel to it. It has this wonky sound looping in the background. It is honestly a very pretty beat. Both Declaim and MED give great verses. The chorus is dope. If you’re a fan of straightforward boom bap hip hop, definitely don’t miss out on this track. Yall old heads would love this!

Pa Salieu – Glidin’ (feat. slowthai): Brooooooo! THIS SHIT GOES CRAAAZZY! The chorus on this track is so catchy. It is hard not to groove to this track. Pa Salieu has so much personality. He just seems like a cool person in general. Slowthai absolutely kills his feature. A slowthai feature never misses. This grime beat is absolutely perfect for these two artists. Man UK hip hop is so underrated. Don’t sleep on UK rappers!

Tkay Maidza – Cashmere: Just like the early 2000’s Lakers, Tkay Maidza just got herself a three-peat. SHE HAS NOT MISSED ALL YEAR. This is the third single for her upcoming EP Last Year Was Weird, Vol. 2. Cashmere is probably the best track she released this year. I love the colorful and angelic production. Tkay’s voice is so smooth and pretty. This track is AMAZING! I can’t wait to watch her perform this song in September. I also can’t wait for her new EP. I can’t believe it’s dropping in less than a week!

Remi Wolf – Liz: This month has been a great month for singles. If the competition wasn’t so neck and neck this track could have easily been my favorite song of the month. The instrumental on this track is beautiful. It is another dreamy bedroom pop track with a cool bass and amazing electric guitar playing towards the end of the track. The instrumental is amazing, but it can’t top Remi’s performance. Her singing gives me goosebumps. You can tell Liz means a lot to Remi just by listening to the passion in her voice. Go listen to this track right now.

Album Honorable Mentions:

EXUM – Xardinal Coffee: Mates is back at it with another fire recommendation. Not going to lie, this album is pretty weird, but I love it. EXUM is such an amazing performer. Whether he is rapping, singing, or screaming he always sounds amazing. EXUM reminds me of both Ski Mask the Slump God and IDK, but even more chaotic. I love how well the production compliments EXUM. The beats always match his energy in this diverse tracklist. This album has no misses in my opinion. Go give it a listen.

Backwash – I Lie Here Buried with My Rings and My Dresses: I am in love with this album! The haunting and creepy horrorcore production is to die for. I love the inclusion of metal in this industrial hip-hop album. The rapping is S tier level good. Backxwash can fucking spit man. She gives an incredible performance on basically every track here. Confession time. I just listened to this album for the first time two days ago. I didn’t listen to this album when it first came out because I heard a snippet on twitter and got scared, so I kind of started avoiding this album. I’m glad I did finally give this album a chance because it is quickly becoming one of my favorite albums of the year. I wouldn’t be surprised if I ended up liking this album more than this month’s album of the month. Although this album isn’t for everybody, give it a chance. Maybe you will be pleasantly surprised like me.

Your Old Droog – Time: This is by far one of the most underrated albums of the year. Droog made a great contempt album about time. Time is referenced in each track in one way or another. There are tracks where Droog is talking about his younger self, his career, and even mortality. There is even this very cool storytelling track about a time machine taking people back in time. The lyrics are great. The production is very lush and classy. There are a lot of great features like MF DOOM, Aesop Rock, and Blu. What’s not to love?

Bo Burnham – Inside (The Songs): Let me start off by saying this, the best way to experience these songs is through Bo Burnham’s Netflix comedy album Inside. This comedy album does not flow nicely since it is meant for a comedy special. The reason why I am adding this album is that the highs on this album are HIGH. Some of my favorite tracks of the year are in this album. “Comedy”, “White Woman’s Instagram”, and “Welcome to the Internet” are in constant rotation for me. This album can be very funny, but it can also be depressing. The special is mostly about Bo’s mental state during the pandemic, and you can tell the pandemic had an effect on him while watching the special. I totally recommend this special and album. I am sure you will be able to find something you like.

Mother Mother – Inside: After blowing up on Tik Tok, you would think indie rock band Mother Mother would capitalize the attention by dropping a safe and generic album. Luckily this is not the case. This album does go into a darker approach. The dark mood is the result of the band’s experience during the pandemic. I do really enjoy this darker approach. In fact, I wish they went further with this sound because the album does get more upbeat further into the album. With that said, I do like the serene moments. I think for the most part the band gives a pretty good performance. Even with some flaws, I do really enjoy this album. Give it a try.

Favorite Song of The Month:

Jasiah – Art of War (feat. Denzel Curry & Rico Nasty): When a track starts off with “Yo, this the type of shit to make you curb stomp a newborn baby”, you know it will be an aggressive banger. I love the experimental and industrial production. It is almost as hard-hitting as the rappers. Every rapper here did not miss. Denzel Curry goes in with a fiery flow. Jasiah’s chorus is the type of shit you headbang to. Rico woke up and chose violence. I love how cartoony and squeaky her delivery is. This track is insane. I fucking love it. It definitely deserves to be the song of the month.

Favorite Album of The Month:

Tyler, The Creator – Call Me If You Get Lost: I’m not going to lie, I am a huge fan of Tyler. I am definitely biased, but god damn this is amazing. Tyler really showcased his skill set on this album. The production is great. He somehow mixes this artsy sound with a rugged hip-hop mixtape vibe. DJ Drama’s adlibs definitely further pushes that mixtape sound. Tracks like “LUMBERJACK” and “JUGGERNAUT” are crazy bangers with amazing production. Tyler also shows off his lyrical chops in songs like “WILSHIRE” and “MASSA”. There are a lot of great highlights in the tracklist. Although this isn’t my favorite Tyler album, it is a great way to end off this amazing three-album run.

These are my monthly favorites! Let me know what you have been listening to!

Memo’s Monthly Favorites: May 2021

Hello everybody! Happy June! I hope you are all doing well. This past month was pretty busy for me. My semester ended last month, so that means I had finals to worry about. Somehow I passed all of my classes so yay me! Now that my semester is over I can finally focus a bit more on music. Speaking of music, I’ve got some recommendations for you all today, so let’s jump into the honorable mentions.

Song Honorable Mentions:

Chimurenga Renaissance, King Britt, and Nadine Stoddart – Zimbabwe: I got to thank the homie Mates for this song recommendation. This track is fire! As you might have guessed from the song title, this track takes heavy musical inspiration from Zimbabwe’s culture. This hip-hop track has traditional Zimbabwe sounds sprinkled throughout the track. Nadine’s singing is not only great, but she sings in her native language which adds even more to the song in my opinion. The rap verse was tight, but I just wish there was a bit more. One verse wasn’t enough for me. Overall great track! Mates came through with this recommendation.

Bungalow Collect – Tell Me Where To Go: This might be the smoothest track of the month. Bungalow Collect consists of members Apollo J, Zay Suaz, Marcus Isiah, and Rshad. Each member absolutely killed it. This group is so charismatic. I promise after the first listen you will be hooked. The rapping from both Apollo J and Rshad are FIRE! The chorus from Zay and Marcus is extremely entertaining. I love the groovy production. It somehow feels old school and new school at the same time. This song is filled with great vibes. I can’t get enough of it. PLEASE GIVE IT A LISTEN! I AM BEGGING!

DMX – Bath Salts (feat. JAY-Z & Nas): This song is a must-listen for not only New York hip hop fans, but for hip hop fans in general. Three New York rap legends on one song. JAY-Z starts things off sounding hungry over this dark and grimy beat. He didn’t come to play. This man is spitting. “Every six months, I think I need a new bucket list” is probably my favorite line off the track. With that said both Nas and DMX had great bars and quotables. When Nas said, “Ha, let’s put success to the side, I’d still be this fly if I worked at Popeye’s, That’s a whole lotta spinach, whole game full of gimmicks, Make a fool out of yourself for a post on Akademiks”, I started geeking out. The late legend, DMX, went in. This line, in particular, got me laughing, “I’m taking half, it’s just that simple Or I can start poppin’ niggas like pimples”. Even in DMX’s later years, he was still able to give entertaining verses. This song is from DMX’s posthumous album Exodus. Give it a listen, especially if you are a fan of hip hop.

EP Honorable Mentions:

Paris Texas – BOY ANONYMOUS: This fiery duo just dropped some heat on this EP. Throughout this entire project, Paris Texas delivers some crazy moments. For example, the outro of “CASINO” is fucking insane! I love how it transitions into the following track “PACK 4 DA LOW”. Paris Texas has a lot of energy when they rap. Although I prefer their in-your-face rapping, when they slow things down on songs like “AREA CODE” the outcome turns out pretty cool. What stands out the most to me is the chemistry Louie Pastel and Felix have. Everything sounded so natural. Nothing sounded forced. I can’t wait to see what they do next. This is an exciting experimental rap duo that you should keep an eye out for.

Album Honorable Mentions:

Mach-Hommy – Pray For Haiti: Mach-Hommy has been a fan favorite in the underground for a while now. Pray For Paris is the first project I have listened to from Mach. Although I wouldn’t say this is the best rap album of the year, I do see why he has such a dedicated fan base and has garnered the attention of JAY-Z and Drake. He is a great lyricist with several cool quotables like, “I’ll put that biscuit to your tee like it’s England”. Throughout the album Mach tributes Haiti which is where he is from. Thanks to Westside Gunn, who executive produced the album, this album has a grimy feel to it. If you are a fan of Griselda you will love this album.

CHAI – WINK: This album is the perfect example of not needing to know the language to enjoy the music. CHAI is a female Japanese band consisting of four members: Yuna, Kana, Mana, and Yuuki. Although there is some English in this album it is mostly in Japanese. I have no idea what they are saying, but the singing is so pretty. Pretty might be the best adjective to describe the album. From the singing to the production, each song is so pretty. Some standout tracks I want to mention include “PING PONG!” featuring YMCK. I love the video game-like production. “Maybe Chocolate Chips” has a great feature from Rick Wilson. He sounds a lot like JID to me. Although the closing track is only one minute long, I love the serenity “SALTY” provides. Great album! Give it a listen.

Tony Allen – There Is No End: Tony Allen is a drummer hailing from Nigeria. He, unfortunately, passed away last year, but his music lives on with this new posthumous album. There Is No End is an exciting album filled with amazing instrumentals and incredible features. Sampa The Great, Koreatown Oddity, Danny Brown, and Skepta did their thing on their respective tracks. Some of the features I didn’t know going into this album blew my mind like Zelooperz and Marlowe. I love the music off of this album, but I think the best part of the album is how Tony Allen started and ended the album. Tony Allen wanted to remind the listener that music never ends, it lives forever. I just thought this was a beautiful statement. Tony Allen’s work will definitely live forever.

Song Of The Month:

Lil Nas X – SUN GOES DOWN: I need to let the cat out of the bag. Lil Nas X’s music has been a “guilty pleasure” of mine since the release of the 7 EP. I basically love everything he has dropped and “SUN GOES DOWN” is no exception. The production on this track is pretty simple. It basically consists of some trap drums and a calm loop consistently playing in the background. It is simple but effective. Lyrically Lil Nas X is in a very vulnerable place. He basically talks about his struggle figuring out his identity growing up, his struggle with depression, and at the end, he reassures his younger self. Although I love “Montero”, I think “SUN GOES DOWN” is the best he has released this year. Dare I say, the best song he has released in his career.

EP Of The Month:

Audrey Nuna – a liquid breakfast: Audrey Nuna is such an interesting artist to me. On the surface, she seems kind of dull with her monotone delivery, but she is the complete opposite. Yes, her delivery on this EP is pretty monotone, but she can rap. Her flows can be very impressive from a technical standpoint. The combination of the monotone and impressive rapping with these dreary beats sounds so cool together. What surprised me the most is finding out she can sing. She has a nice voice. I wish she sang a bit more on this EP. Especially without autotune because she proves on “Long Year” that she doesn’t need heavy autotune. Overall I really liked the EP. I hope she will be working on an album soon.

Album Of The Month:

CZARFACE and MF DOOM – Super What?: The first time I found out CZARFACE and MF DOOM were working together I knew it was going to be awesome. They both are known for having a comic book-inspired persona. It’s a match made in heaven. Czarface Meets Metal Face was amazing and so is Super What? Although it’s predictable at this point, I absolutely love the cartoony production style and the comic book references in the lyrics. Esoteric, Inspectah Deck, MF DOOM, and the features rapped their asses off. With this album most likely being the last project MF DOOM would have his name on, I think this is a great album to end off his discography. This is exactly what I wanted from these guys. I can’t ask for more!

These are my monthly favorites! Let me know what you have been listening to!

Memo’s Monthly Favorites: April 2021

Hello everybody! Happy May! Sorry for not posting this article a lot sooner. Not going to lie, I have been slacking lately. This past month I didn’t listen to as much music as I would like. I’ve been too busy with work, studying and of course Animal Crossing. With that said I do think I’ve got a good monthly favorites for you all today. Lets just jump into it!

Song Honorable Mentions:

Tkay Maidza – Syrup: This will be Tkay Maidza’s year! I can see it now. Assuming Last Year Was Weird, Vol 3 is as good as Kim and Syrup, I can see Tkay blowing up even more than she has been. Tkay returns to a more aggressive sound. The production is pretty simple, but it slaps. I love how heavy the bass is. Tkay kills it as always. Her pen game is on point. She drops a lot of great one liners. I’m just obsessed with this track. I can’t wait for the new EP.

Rina Sawayama – Chosen Family (with Elton John): Although I have always enjoyed the original track, I did think there was something missing. I think the addition of Elton John fulfills the missing feeling. Not only is his performance amazing and grand, but I think the addition of his piano adds a lot to the production. I also think turning a track about friendship into a duet is such a great idea. I am so happy this exists. Rina and Elton sound so good together. It’s a match made in heaven.

Freddie Gibbs – Big Boss Rabbit: At this point there is no stopping Freddie Gibbs. Every time he is on the mic he reminds everybody that he is one of the best MC’s right now. He makes rapping seem effortless. In this track he is rapping over a cool trap beat with a Nas sample tying everything together. Although the beat is cool, Freddie can rap over nails on a chalkboard and that song will still be amazing. I know Gibbs is dropping an album this year, so I hope he continues his winning streak.

EP Honorable Mentions:

Dev Lemons – Lemontopia: I have mentioned in the past that Tik Tokers and YouTubers should know their place and never drop music because most of the time the outcome is not good. Dev Lemon is an exception. The quirky personality she shows off in her Tik Toks appears in the spacious bedroom pop production that is displayed on Lemontopia. The instrumentals make me feel like I am floating on clouds. I am surprised at how good of a singer she is. For some reason she sounds like Kali Uchis to me. This EP is only 4 tracks with a run time of 8 minutes. It is definitely worth a listen.

The Alchemist – This Thing Of Ours: The Alchemist is by far one of the most consistent producers out right now. I don’t remember the last time he has missed in recent history. In this EP he brings in guests to rap over these beautiful lofi beats. He got Earl Sweatshirt and Navy Blue to start off the EP. Both Sideshow and Boldy James kill it on their verse on the very next track. Pink Stiifu and Maxo did their thing on the third track. Earl shows up again on the last track. I think the Alchemist does a great job at providing the foundation needed for his guest to thrive. Give this EP a listen. The second half of the EP is the instrumentals from the previous four tracks, so if you didn’t like any of the features at least you got the beats.

Cordae – Just Until….: I forgot how good of a rapper Cordae is. Cordae is really spitting on this EP. Something that Cordae doesn’t get enough credit for is the way he can adapt into different rap styles. On the first track, Cordae is being introspective with Q-Tip. Two tracks later, Cordae is being braggadocious with Young Thug. In this short EP, Cordae is showing off his skill set and preparing the listeners for his next album. He said his next album is coming soon, so that’s good. I’m excited!

Album Honorable Mentions:

Thom Moot – Thomfoolery: This is by far one of the most unique albums I have listened to this year. Stylistically this album is all over the place. The first track is a fiery grunge cut. He has several other rock tracks, but there are also a lot of interesting detours. For example, “Alien Invasion Rag” starts off with an old western piano playing, but then an alien invasion happens around the midpoint. The following track sounds like an intergalactic space battle to me. Thom does a great job at making a story with his music. If you are interested in a weird experience give this album a shot.

Kenny Mason – Angelic Hoodrat: Supercut: Kenny Mason is someone you want to keep an eye on. He is such a breath of fresh air in the rap landscape. The beats he raps on are so dark and heavy. His rapping is insane. Although he could be laid back and monotone at times, when he wants to rap he raps. His technical ability is mind blowing. Believe it or not this rap album isn’t just a rap album. “Play Ball” is a straight up punk song. He is rapping over metal guitars on “Pup”. Although I do prefer the traditional rap songs, I do admire this album’s creativity. I really want to know what direction Kenny’s sound goes to in the future.

Flying Lotus – Yasuke: Yasuke is a pleasant surprise. I had no idea Flying Lotus was dropping an album this year. Let alone an album for a Netflix show. As always expect a weird, hypnotic, spacy, and serene ride when diving into a Flying Lotus album. Something that makes this album different is that since the album is for an anime based on Japanese samurais, this album takes influence from Japanese music. It’s a cool change of pace for Flying Lotus. I think he did a phenomenal job. Put on some good headphones, lay on your bed, close your eyes, and give this album a listen.

Favorite Song of The Month:

Little Simz – Introvert: If you told me before this song dropped that Little Simz was dropping an album I would have been excited, but now I am counting down the days until it drops in September. I literally can’t wait! This tack is one of the best songs I heard this year. It might be my favorite Little Simz song. As always, Little Simz kills it lyrically. I love how conscious and focused she is. With that said, I think the instrumentation is what steals the show for me. I love how big and grand it is. You can tell they took the time to perfect this instrumental. If Little Simz’s next album has amazing bars and instrumentals like these throughout the entire track list then its game over. Every artist should might as well pack their bags and take a break until next year because Little Simz will take album of the year if her next album is as good as Introvert.

Favorite EP of The Month:

Kero Kero Bonito – Civilisation II: With only three tracks, Kero Kero Bonito blows my mind with their second installment of their Civilization series. The trio are back with their signature cute and colorful musical styling, but with more of an electropop sound. The trio uses this cute style to sing about what the world is going through during the pandemic. The second track of the album is basically a day of their life during the very beginning of the pandemic. The innocent observation they give in “21/04/20” is very interesting. The following track “Well Rested” gives the listener some hope. Sarah reminds the listener the human race has gone through a lot already. At this point nothing will be able to take down the human race. The production is insane on this track. In February, I named “The Princess and the Clock” as my song of the month. I love that song, but “Well Rested” is even better. This EP is amazing. I can’t recommend it enough.

Favorite Album of The Month:

BROCKHAMPTON – ROADRUNNER: NEW LIGHT, NEW MACHINE: BROCKHAMPTON seems to never disappoint. The boys are back with the first of two albums they are releasing. Even if they end up not dropping a second album this year I will be happy because ROADRUNNER is amazing. They basically took elements from their past work and put it all together. If you miss their Saturation series and you want bangers go listen to “BANKROLL” with A$AP Rocky and A$AP Ferg. If you want to listen to something similar to Iridescence check out “BUZZCUT” with Danny Brown. If you love the GINGER era try out “COUNT ON ME”. Do you feel like crying? Go listen to “THE LIGHT”. I can go on and on. There’s something for everybody. Even if you don’t end up enjoying the entire album like me, I guarantee you there is a song for you in this album.

These are my monthly favorites! Let me know what you have been listening to!

Memo’s Monthly Favorites: March 2021

Hello everybody! Happy April! Somehow we are already one quarter done with 2021. How did that happen? This past month was jam-packed with great music. Although I did struggle finding a lot of good albums to write about, there were a lot of great singles and even EP’s released in March. There’s a lot of music I want to point in your direction, so let’s just jump into my monthly favorites!

Song Honorable Mentions:

Osay – How Many Licks: If you are a boring person who gets offended over songs like WAP, then you might want to sit this one out. Chicago-born rapper, Osay, dropped a short track about sex. With a song title like that, what else would this song be about? When listening to this expect some hot bars and impressive rapping. Although the beat isn’t amazing, Osay’s charisma is able to carry this song. Although it is easy to dismiss a short sexual trap song like this, I do admire Osay’s talent. After listening to this track, and some of her other singles like “Bad Girl”, “Off Brand”, and “Shimmy Season”, you can tell that she is passionate about her craft and hip hop in general. I can’t wait to see what Osay does in the future. Give her songs a listen.

Mello Music Group, The Lasso, & Open Mike Eagle – Gold Gloves: The independent music label Mello Music Group has been churning out tracks with several different artists and producer’s for an album called Bushido. It is out now! They’ve dropped several singles for this project, but “Gold Gloves” is probably my favorite. I just love how suffocating The Lasso’s production is at the beginning, but it quickly smooths out when Open Mike Eagle hops on. Both Mike and the track itself are pretty chill for the most part. The magical outro is really cool. It’s a hypnotic experience. Check out “Gold Gloves” and Bushido.

Aesop Rock – Long Legged Larry: Aesop Rock rapping about a frog named Larry saving the day is something I didn’t think I needed, but I am glad it exists. It’s such a cute song. I just love the innocence and child-like whimsy in the lyrics. If I had a kid, you best believe my kid and I will be bumping “Long Legged Larry” in the whip. Fuck “Baby Shark”! My kid will be bumping Aesop Rock thank you very much. Seriously though, the rapping and production are top-notch even though the lyrics are very playful. Aesop Rock has always been good at being a descriptive storyteller when he raps, so seeing this skill set being implemented in a song that is basically a nursery rhyme honestly makes sense. Out of all the rappers out there, he is probably the guy you would want making nursery rhymes. I genuinely wouldn’t mind more songs like this.

ZillaKami – Chains: For some reason, I don’t talk about ZillaKami as much as I should. He does have one of my favorite voices in hip hop. It is so rugged and animalistic. It pairs well with the trap metal fusion he has been doing on not only his material, but also with SosMula on City Morgue. “Chains” is a perfect example of the type of music City Morgue and ZillaKami are known for. On this track, ZillaKami is shouting and rapping over trap beats and energetic electric guitars. It’s abrasive and kind of catchy. I recommend checking this song out if you are curious about this weird trap metal fusion. If you do enjoy it check out City Morgue.

AG Club – TRUTH (feat. Sam Truth and redveil): I wasn’t really familiar with this rap group, but AG Club impressed me a lot. I love the rebellious energy in this track. This track starts off with a bang. Jody Fontaine sounds so focus while the beat sounds so hard-hitting. Jody’s pre-chorus is catchy and it segues nicely into the sung chores from Sam Truth. I love how the production transitions into a beat switch. I think the new beat fits well with redveils rapping style. I think everybody kills it on this track. It’s a great posse cut. Give it a listen.

Laura Les – Haunted: One-half of 100 Gecs, Laura Les, dropped “Haunted House” this past month. 100 Gecs is a guilty pleasure of mine, so you know I was excited when this song dropped. Like many 100 Gecs tracks, this song does a great job at blending cuteness with insanity. The beat starts off pleasant, but as soon as that inaudible chorus hits you get reminded its a hyper pop song. I absolutely love the crazy energy on the chorus even though I have no idea what she is saying. I think her verse was pretty good. The monotone delivery contrasts nicely with the crazy chorus. The only bad part about this song is that it is too short. I want more!

BROCKHAMPTON – BUZZCUT (feat. Danny Brown): BROCKHAMPTON, the best boyband since One Direction, are back with a FUCKING BANGER! I absolutely love this song. The instrumental sounds like something off Iridescence, but on crack. It is insane! Weirdly, Kevin Abstract is the only member rapping on this track besides the feature Danny Brown. They both brought in a chaotic, yet infectious energy to the track. For some reason, Kevin sounded like Denzel Curry to me. Danny sounded like he was in his prime form again. I also really love the outro. Joba’s beautiful singing and Merlyn’s adlibs finish off the song nicely. I can’t wait for their new album. I’M SO HYPED!

EP Honorable Mentions:

S. Reidy – I Started Grieving Today: Oklahoma rapper, S. Reidy just dropped an EP this past month. It is very short with it being only four tracks and it is barely over 7 minutes long. He comes across as a pretty angry, moody, and passionate rapper. His lyrical content are basically passionate rants half of the time. You can feel the passion on tracks like “Pity Party”. His voice sounds so bold on that track. I believe Die Cute is the producer. If he did produce the EP, I think he did a great job at making a very moody aesthetic for S. Reidy. Not a bad EP. I just wished the songs were longer. Check out this short gem.

JAHMED – ARMANI: This is such a fun and addicting EP. JAHMED is such an entertaining rapper. I love the different flows and vocal inflections he does on this EP. He reminds me a lot of rappers like Vince Staples, Baby Keem, ScHoolboy Q, and Ski Mask the Slump God. Like those rappers, JAHMED is good at being an expressive rapper. The hard-hitting trap beats suit his voice nicely. It’s hard not to be pumped up after listening to a lot of these tracks. Freddie Gibbs has a great feature on “GLIMPSE”. The skits are entertaining. JAHMED has a lot of potential. He is definitely a rapper you should keep an eye on.

Moore Kismet – Vendetta For Cupid: Moore Kismet is a very talented young individual. At only 16 years old, Moore Kismet is producing insane electronic dance music. The production on this EP can be harsh and abrasive, but at the same time, it can be very pretty. The hard-hitting beat drops are chaotic. The features are great as well. They add a lot to the music, but Moore Kismets’ production always shines through. I hope we get more music from them soon. If Moore keeps up the great work, I can see them becoming one of my favorite producers right now.

Michigander – Everything Will Be Ok Eventually: This one for my indie rock fans out there. This EP is my first introduction to Michiganders music. After giving this EP a listen, I instantly became a fan. Michiganders music is very relatable. This EP is about being heartbroken and trying your best to be better again. This man is in his feels big time. Although the subject matter is pretty sad, the music itself sounds pretty uplifting. The instrumentals are pleasant to the ear. Lead singer, Jason Singer, singing is filled with so much emotion. I can’t get enough of this EP. Pretty please with a cherry on top, give this EP a listen.

Benny The Butcher & Harry Fraud – The Plugs I Met 2: If you have listened to Benny The Butcher or Griselda in general, then you should know what you are getting into before listening to this EP. If you have never listened to a Benny project you should expect great drug rap and grimy beats on every project. This EP is no exception. Benny is dropping fire bars. Harry Fraud kills it on production. It sounds very classy. This is some high-class drug talk. Chinx, 2 Chainz, and Jim Jones were great features. I don’t know if I like this more than the first one, but The Plugs I Met 2 is a great rap EP.

Album Honorable Mentions:

Armand Hammer & The Alchemist – Haram: Legendary rap duo, Armand Hammer, teaming up with legendary producer, The Alchemist, is a match made in heaven. Just like past Armand Hammer projects, Billy Woods and E L U C I D delivers great cryptic rapping, but this time it is paired with classy yet grimy production from The Alchemist. It is hard to decode what Armand Hammer is rapping about, but when a bar finally clicks your mind will be blown. I am actually surprised at how well The Alchemist is able to make Armand Hammer-like production, but it still has that elegant feel you expect from an Alchemist beat. You can tell this album was a team effort. This is no high school group project. Everybody put in the work. This includes the features as well. This is definitely one of the best rap albums of the year.

serpentwithfeet – DEACON: What a beautiful album. This is the first time I listened to serpentwithfeet and I am impressed. He reminds me a lot of Frank Ocean. They both have a similar chill and laid-back delivery. Serpentwithfeet sings with a bit more vibrato, but other than that I think they have a similar style. As the album’s description says, this album is about black gay love. Serpentwithfeet is in love and he is not afraid to show it. This album is very romantic. I love how pretty and heavenly the instrumentals are. If you want to listen to a good R&B album, then check this album out.

Kota the Friend & Statik Selektah – To Kill A Sunrise: Kota is back once again with another album. I was nervous before going into this album because I was afraid it was going to be more of the same chill raps. Although it is very chill, Statik Selektah comes through with lushes jazzy boom-bap instrumentals. The change in production helps spice up what Kota has been doing, but at the same time keep the chill aesthetic his fans love. I also like how Kota sounds more focused on this album. He is laid back for the most part, but he does sound energized in tracks like “Wolves”. I really hope Kota and Statik keep working together because this album is great. I would love to see more albums released from this duo.

Denzel Curry & Kenny Beats – UNLOCKED 1.5: Denzel Curry and Kenny Beats ARE BACK BABY! Earlier this month, they dropped a remix album based on their 2020 album UNLOCKED. They had an assortment of guests to provide their own spin on UNLOCKED. Artists like Smino, Joey Bada$$, Benny The Butcher, Kenny Mason, and Arlo Parks, just to name a few, came through with great features. Most of the beats were remixed by other producers like Robert Glasper, Charlie Heat, The Alchemist, and Jay Versace. With all these people helping on the album, this remix album ends unbecoming a totally different experience. Although I do like the original album even more, if you are a Denzel Curry fan this is a must-listen.

Favorite Song of The Month:

Silk Sonic – Leave The Door Open: Although there were a lot of great songs this month, nothing was able to top this masterpiece. Bruno Mars and Anderson .Paak came through with probably the best song of the year and we still got nine more months left. They really took aspects from 70’s neo-soul music and modernized it. Doing this makes the song sound nostalgic, timeless, and forward-thinking at the same time. I am surprised with how well these two sound together. Even though they are similar in many ways, they do still find ways to compliment each other. Anderson comes through with some smooth and charismatic bars, while Bruno kills it on the chorus. His singing sounds so powerful and grand. I’m expecting big things from these two. I’m on the Silk Sonic hype train. We might be hearing a classic pretty soon.

Favorite EP of The Month:

CHIKA – ONCE UPON A TIME: CHIKA IS AMAZING! She really is such a brilliant lyricist. This conceptual EP has a very creative fairy tale theme going for it. I absolutely love how she is rapping about serious topics while constantly making fairy tale references. Before this EP, I preferred CHIKA’s singing over her rapping, but that has changed. She is an amazing rapper! The flow switches on the first track alone is mind-blowing. Her rapping is flawless. She makes it seem so easy. If she is putting all of this work in a short EP like this, it makes me wonder what a CHIKA album would sound like.

Favorite Album of The Month:

Genesis Owusu – Smiling with No Teeth: Last month I said that Genesis Owusu was my favorite discovery of the year. I gushed all over “Gold Chains”. Now that he dropped his debut album, I can now gush all over more of his music. This album is fantastic even though it was not what I expected. “Gold Chains” was such a smooth and cool track, so I didn’t expect a track like “On the Move!”. This track sounds like a Death Grips song for some reason. I like it, but I just didn’t expect it. Surprises like that happens a lot on this album. Genesis can come across as smooth, chill, aggressive, cartoony, serious, and even sensual. Genesis is such an entertaining and diverse performer. Each song on this album sounds different yet the album is still cohesive. I am absolutely in love with this album. I can’t wait to see how his career unfolds. I expect big things from Genesis.

These are my monthly favorites! Let me know what you have been listening to!

NEW EP: On ‘Welcome to the Witching Hour,’ MyKey Makes Space for Late-Night Thinkers

There’s something old-school about MyKey.

Maybe it’s the fact he doesn’t really know how TikTok works, despite being on the Gen Z cusp age of 24 (and almost 25). Or maybe it’s because when he hops on our video call, he informs me that he’s on his grocery store weekly tour, checking out what four different supermarkets in L.A. have to offer.

“I’m literally an old man in that way,” he says, chuckling.

Today, MyKey released his debut EP Welcome to the Witching Hour, coming on the heels of a sprawling, 16-track album back in 2017 when he was in his early days of releasing music. He started taking guitar lessons at age seven, then stuck with guitar, going to a bluegrass event at age 10 and joining local Maryland bluegrass band Flower Hill String Band after connecting with them at that show.

MyKey makes music that draws from folk, while he’s part of a broader bedroom pop generation that has been sweeping the industry. On Welcome to the Witching Hour, he unexpectedly draws parallels to the genesis of his artistry– his first-ever song was called ‘Vin Diesel Runs on Gasoline,’ and it wasn’t until after he put together his EP that he released the sixth track is called ‘Vin Diesel,’ an unintentional callback to his early songwriting.

Welcome to the Witching Hour strays from his first album, Faces, in several ways. For one, the new project was written entirely in an Airbnb getaway, as MyKey and his friends/collaborators melted their minds together in one big effort rather than piecing together the album.

“I really went at it completely alone for the first album. This time around, my friends and I truly collaborated on this little getaway, which was something I’d never done prior. It was a really fun way of doing it.”

MyKey still stands by the new EP being ‘just as chaotic as the first album,’ in that he continues explores a bevy of genres. On Faces, for example, he involved folk, pop, black metal, jazz and rock. This time, though, it’s more of a communal project.

“I really wanted to let me friends’ work shine, whether it be on the production, or some of the songwriting. As a whole, though, Welcome to the Witching Hour contains way more of my own stories than Faces did. I always used to hate writing about my own experiences, and would make songs out of my friends’ stories, so this is much more of a personal record.”

“It feels really weird, though,” he continues, “To put my own opinion on my emotions. And then release it out into the world. Like, people are hearing my takes on my own emotions and shit. That’s a new level of vulnerability for me.”

Songs like ‘Emily’ and ‘Marshmallow Moons’ are perfect for when you want to fashion yourself a teen movie star, looking out of a train window at a gray sky and thinking about that someone who makes your palms sweaty. Listening to ‘Mazda5’ will convince you that you, too, had a Mazda in high school, reliably getting you to school, to see a friend, to blast your favorite album in or to cry in. And for all of his old-man-cosplay, ‘Sweet Tooth’ could easily be a TikTok viral hit– it’s of the same ilk as the sleepy, viral smash ‘death bed (coffee for your head)’ by powfu and Beabadoobee.

Like the EP’s namesake, I can’t think of a better time to listen to this than in the middle of the night, when the threads of reality unspool a bit and you can go on an introspective journey without the noise of reality dragging you down.

MyKey’s friends and sometimes-collaborators are all up-and-comers in the space, including names like REI AMI, Adam Melchor, spill tab, Marinelli and bennytheghost, to name a few.

When I ask about a dream collaborator, his old-school brain takes over control, replying with certainty.

“Bruce Springsteen. I’ve always wanted to make music with him. My mid-life crisis moment would ideally be a collab with him.”

You can find MyKey on Instagram (though he ‘barely understands it.’)

Memo’s Monthly Favorites: February 2021

Hello everybody! Happy March! Even though February is the shortest month of the year, this past month was packed with a lot of great music. Especially in the singles department. I added more singles than usual in the honorable mentions, but I did leave two tracks. I did this because Daw has already written two great articles about them. I really recommend reading Daw’s articles on “Gang Signs” by Freddie Gibbs featuring ScHoolboy Q and “So.Incredible.pkg [Robert Glasper Version]” by Denzel Curry, Kenny Beats, Smino, and Robert Glasper. Those two tracks are amazing. Give it a listen. With that being said let’s dive into my monthly favorites.

Song Honorable Mentions:

Cakes Da Killer & Proper Villain – What’s The Word: Let’s start off with some straight-up fire. This hip-house track is very energetic. Cakes Da Killer is coming at you with these speedy flows. I really like how expressive he is when he delivers each bar. Proper Villain kills it on production. It has everything you want from a good hip-house beat. What’s not to love?

Big Freedia – Platinum: This song is by far one of the most fun and entertaining songs I have listened to this month. If it weren’t for the pandemic, I can totally see this song pumping people up at a club. I love how powerful and bold Big Freedia’s voice is. It pairs well with this fast-paced southern hip hop beat. I guarantee this song will have you on your feet, so if you want to have a mini dance party give this song a listen.

Genesis Owusu – Gold Chains: Genesis Owusu is probably my favorite discovery so far this year. This song was so close to becoming my favorite song of the month. This is mostly because of his singing. The chill lowkey production is great, but his voice is incredible. He doesn’t have a crazy singing performance, but everything he says sounds smooth as fuck. Especially when he is melodically rapping. This track is a must-listen.

Tkay Maidza – Kim (with Yung Baby Tate): After releasing my favorite EP of 2020, I became a giant fan of Tkay. So you better believe I am hyped for her upcoming EP. Especially after listening to “Kim”. That shit is crazy. This track is an aggressive, unapologetic, attitude-filled ride. Both Tkay Maidza and Yung Baby Tate sound so badass. They have amazing chemistry. I really love how this song references famous Kim’s including Kim Possible. I genuinely don’t know how someone can hate this song.

Noname – Rainforest: Noname is back with another impressive single. She just continues to amaze me. Her poetic lyricism is packed with a lot, and I mean a lot, of deep content. In the hoof alone she talks about depression, exploitive billionaires, and deforestation. “Because, because a rainforest cries, Everybody dies a little”, is one of my favorite lines I have heard all year. I can’t emphasize enough how well written this song is. Plus the jazzy calm instrumental makes for a perfect backdrop for this song. For crying out loud, NONAME DROP AN ALBUM! I NEED IT!

JID – Skegee: JID really did something special with this track. Like other JID tracks, he goes in a conscious direction. As always his lyrics are well written. What makes this song special in my opinion is what JID actually raps about. He shines a light on the Tuskegee experiments. Before this track, I didn’t know those disgusting and dehumanizing experiments actually happened. I appreciate JID for spreading more awareness to historical moments like these because I for sure did not learn about this in my public high school.

EP Honorable Mentions:

MAVI – END OF THE EARTH: Although I am not absolutely in love with this EP, I do see its appeal. Mavi shows flashes of potential throughout this entire EP. On the first track, he is rapping with so much emotion. He truly sounds like he in a lot of pain. I love how Mavi raps when the trap drums come through on “METHODS”. His depressing lyricism is on point. I just hope he continues to improve and finds his own sound.

Luna Li – jams EP: There’s no clickbait here. This EP is filled with jams. In this 10 minute and 10 track EP, Luna Li soothes the listener with her talent. It’s crazy how Luna produced every single one of these lushes beats on her own. Every instrument played was done by her. The guitar, bass, violin, keys, and even the fucking harp were all her. What instrument can’t she play? If you want to relax I highly suggest putting this EP on.

Album Honorable Mention:

Luke Banter – Pucker Up: In this album, Luke provides several love-sick, yet upbeat pop tracks that are perfect for this past Valentine’s day. Luke does an impressive job at making catchy hooks. With tracks like “Nelly Bly”, “Pucker Up”, “Allergic”, and “Witchcraft” I can see the potential in what Luke is doing. This album is far from perfect. There are definitely several flaws and duds in the tracklist. With that said I am genuinely excited to see what Luke does moving forward.

Conway The Machine & Big Ghost Ltd – If It Bleeds It Can Be Killed: Man, Conway continues to amaze me. Conway has single-handedly turned me into a bigger Griselda fan. Don’t get me wrong Benny and Westside Gunn are cool, but Conway is on another level. Just like From King to a God, If It Bleeds It Can Be Killed differentiate himself from his contemporaries with his pen game. I absolutely love how badass Conway can be, but he can also be very vulnerable. Big Ghost Ltd kills it with the gritty production. Although this is not my favorite Conway album, I think this album is awesome. Don’t sleep on this album!

slowthai – TYRON: It was a tough choice putting TYRON on the honorable mentions list. Although this isn’t my favorite album of the month, so far this is definitely my favorite hip hop album of the year. Slowthai really impressed me with this album. The reason why I am a fan of slowthai is because of his aggressive bangers. In the first disc, we get those bangers, but the second disc is depressing and moody. Again I love those bangers, but slowthai really shined like he never has before on the second disc. Slowthai proves once again why he is one of the best rappers in the UK.

Favorite Song of The Month:

Kero Kero Bonito – The Princess and the Clock: As mentioned earlier, there were a lot of great singles released this month. It was honestly very hard to choose my favorite song of the month. I ended up picking this song because of how extravagant it is. This song sounds like an evolution of a track from Bonito Generation. It’s cute and upbeat, but they experiment a bit more on the production. This track has several different phases. It can be explosive and crazy, but then turn soothing in a blink of an eye. I am so hyped for the upcoming EP!

Favorite EP of the Month:

JPEGMAFIA – EP2!: In a short time span, JPEGMAFIA drops another installment of his EP series. Last year, he dropped an EP filled with entertaining experimental mostly rap songs. In this EP he is going into it with a different approach. This EP is darker. It is moodier. Peggy is a lot angrier than he was in EP!. Peggy has been angry in past projects, but he is usually rapping and shouting. In EP2!, he goes into a melodic approach. I wouldn’t even consider this rap. This is an angry experimental R&B project. Even though he is singing, his lyrics is still unapologetically cutthroat. I am not disappointed.

Favorite Album of the Month:

Black Country, New Road – For the first time: I did not expect to like this album as much as I did. I consider myself a hip-hop fan. Although I do give other genres a chance, hip hop is my bread and butter. This experimental rock album is not something I usually would gravitate to, but I am in love with it. The biggest reason why is because of the production. This album has some of the best production I have listened to in a while. I also really love the dramatic singing performances throughout the album. This album has a lot of great qualities that help keep the listener’s attention. This is good because this album has a risky tracklist. It is only 6 songs with each song spanning from 5 to 10 minutes long. Black Country, New Road does an excellent job at keeping the listener engage even with a funky tracklist. If this album is just the beginning, then I can’t wait to see what they do next!

These are my monthly favorites! Let me know what you have been listening to!

Memo’s Top 50 Albums of The Year

Hello everybody! Happy New Year! So I am going to do something different this month. I usually write an article about my favorite music of the month, but since the shit show we call 2020 just ended I rather rank 50 of my favorite albums from 2020. Starting today on my YouTube channel I will be starting list week. I will be talking about my favorite and least favorite music from 2020. My top 50 albums video is the last video I will be uploading, but I think it would be a good idea to release my list early here on Indie Pong.

Although I think I have a pretty good list I do have a couple disclaimers. First of all, I kind of cheated. This list is called my top 50 albums of the year, but I do have a few EP’s in the list. Also, I know this is an indie music blog, but I do have some mainstream albums in the list. There has been several mainstream albums I enjoyed this year, so I would feel weird not to include them in my list. With that said, I don’t think my list is that bad. I am honestly proud of it. 2020 might be a shitty year, but at least there has been a lot of great albums released in 2020.

Without further ado here is my top 50 albums of the year for 2020!

50) Kota the Friend – EVERYTHING

49) Lady Gaga – Chromatica

48) Joji – Nectar

47) Bad Bunny – YHLQMDLG

46) Rico Nasty – Nightmare Vacation

45) Jme – Grime MC

44) SAULT – Untitled (Black Is)

43) Aminé – Limbo

42) Logic – No Pressure

41) Thundercat – It Is What It Is

40) Nas – King’s Disease

39) 070 Shake – Modus Vivendi

38) 21 Savage & Metro Boomin – Savage Mode II

37) Yves Tumor – Heaven To A Tortured Mind

36) Childish Gambino – 3.15.20

35) Action Bronson – Only For Dolphins

34) Deante’ Hitchcock – BETTER

33) Tame Impala – The Slow Rush

32) Jean Dawson – Pixel Bath

31) Dua Lipa – Future Nostalgia

30) Blu & Exile – Miles

29) Fionna Apple – Fetch The Bolt Cutters

28) R.A.P. Ferreira – Purple Moonlight Pages

27) Qualle Chris & Chris Keys – Innocent Country 2

26) Kid Cudi – Man On The Moon III: The Chosen

25) Benny The Butcher – Burden of Proof

24) Oliver Tree – Ugly is Beautiful

23) Kali Uchis – Sin Miedo (del Amor y Otros Demonios) ∞

22) Black Thought – Streams of Thought, Voll:3 Cane & Able

21) JPEGMAFIA – EP!

20) The Koreatown Oddity – Little Dominiques Nosebleed

19) Conway The Machine – From King To A GOD

18) Denzel Curry & Kenny Beats – UNLOCKED

17) James Blake – Before

16) Slauson Malone – Vergangenheitsbewältigung (Crater Speak)

15) The Weekend – After Hours

14) Charli XCX – how i’m feeling now

13) Poppy – I Disagree

12) 100 gecs – 1000 gecs and the Tree of Clues

11) clipping. – Visions of Bodies Being Burned

10) Jessie Ware – What’s Your Pleasure?

9) Tkay Maidza – Last Year Was Weird, Vol. 2

8) Freddie Gibbs & The Alchemist – Alfredo

7) Rina Sawayama – Sawayama

6) The Strokes – The New Abnormal

5) Aesop Rock – Spirit World Field Guide

4) Boldy James & Sterling Toles – Manger on McNichols

3) Gorillaz – Song Machine, Season One: Strange Timez

2) Mac Miller – Circles

1) Run The Jewels – RTJ4

Let me know what you think?

p.s. Here is a link to my top 50 songs of the year playlist on Spotify in case you are curious.

Sunday with George: Baroness- Gold & Grey

In his autobiography, Miles Davis opined very specifically about what kind of music he likes, saying, “… I like raw shit, live, raunchy, get down, get back in the alley shit…”

On their fifth LP, Gold & Grey, Baroness were most likely not making a conscious effort to please the late jazz titan. However, were he alive to hear it, one would have to believe that he’d enthusiastically approve of the band’s efforts.

Through and through, Gold & Grey is a Baroness album. It is a considered artistic statement made by a unit interested in a seamless listening experience. It demands consumption as a whole, laughing in the face of shuffle play.

Is it a metal album?

In places.

Is it a psych-rock album?

Sometimes.

Does it contain some uncommonly beautiful, quiet(ish) passages drowning in reverb, boasting some particularly lovely harmonized vocals to boot?

Yes, yes, it does.

Gold & Grey has 17 songs. Five (maybe six) of these are interludes. As with all Baroness albums, there’s a song or two that could be lost. It’s hard to say which of those songs has to go though, which speaks to the strength of the album’s overall cohesive nature.

By this listener’s count, the album has 5 career-best tracks, and everything else falls squarely into the, “pretty damn good”, category.

As the album is not broken into a Gold album, and Grey album, (as the band did previously, with with their third LP, Yellow and Green) we’re left to guess which songs speak to which colors. That said, the more anthemic, bombast-filled songs are better suited to triumphant Gold, and the quieter, almost spooky tracks speak to neutral Grey.

The crowning achievement for both Gold and Grey respectively are, “Throw me an Anchor”, and “Emmet: Radiating Light.”

Sonically, these songs couldn’t be more different.

“Throw me an Anchor” is bow-legged swagger: an aural Long Island iced tea, full of raucous fuzz bass, anxiety, and multi-variable calculus masquerading as meth-cook back beats and Death Star-guitar leads.

“Emmet”, on the other hand, is meditation: a woodland panorama thick with fog somewhere in the Pacific Northwest, quietly anticipating sunrise, the titular, “Radiating Light.”

Each song is achingly beautiful in its own right. One speaks to pleading desperation, and one to thoughtful contemplation. Throughout the album, the band consistently executes both with tremendous aplomb.

As Baroness has mutated and matured over time, some might say they’ve lost their edge, or gotten too mellow. Lead vocalist and guitarist John Baizley shouts less these days, and the pretty parts poking through the band’s signature onslaught of riffage have much more real estate on this album.

Yet, these things are a sign of the band’s growth. They’re a sign of their dedication to remain true to the things that make them who they are, while pushing forward, seeking new frontiers.

A smorgasbord of textures, riffs, introspection, and innovation, Gold & Grey is another adventurous chapter in the story of Baroness.

It’s a grow-er, and a show-er.

One expects that in ending their “color cycle” with this outing, the band is primed to make perhaps their best album yet, next time around.

Here’s to that.

Angel Olsen Is My Angel – an All Mirrors Album Review

Angel Olsen is back with some introspective howls in her new album, All Mirrors. It holds the heartbeat of a masterpiece and lets us in, as she lets go of a significant love interest to confront her spinning thoughts. Her voice rattles from cages away, mirroring some of the choices she had made in her earlier album, Burn Your Fire for No Witness.

The three songs, New Love Cassette, Spring and What it Is are my personal favorites and they transition into each other effortlessly. The lyrics, “It’s easy if you tell the truth/ but knowing what it is it’s not the same” are all encompassing. Angel Olsen is fully owning her feelings and admitting that we all have shit to weed through.

She is staring at herself, feeling an increase of resentment throughout the first half of the album. And then we reach the song, Tonight where Angel is able to sleep without the weight of another human shadow.

She is confronting herself slowly, passing through the vibrato of self-sabotage to land in a whisper of conviction. Her voice piles in heart break, spilling through a synth and some richly textured strings. It is an album that will most likely make you cry.

What a change of pace from her more pop-punk album, My Woman. She knows how to create some real, addictive magic! Angel is taking new risks to self reflect and I am in awe of her vulnerability.

Shifting from a time when our names meant more, each time that other people told us they did… from a time when we first touched love, only to be sucked away into a dark shell of mourning. All Mirrors will shatter your dreams and hug you simultaneously.